Interviews And Articles by Nick Breeze
- Published: 22 August 2014 22 August 2014
by Nick Breeze
Dystopian projections of the future for human civilisation can hardly be called optimistic but should they be taken seriously?
Contributors to IDP:2043: Enfant terrible of Scottish letters and author of Trainspotting Irvine Welsh and graphic artist Dan McDaid, celebrated French graphic novelist and illustrator Barroux, Costa Award winner Mary Talbot and artist Kate Charlesworth, ‘godfather of British comics’ and creator of 2000AD Pat Mills and graphic novelist Hannah Berry, graphic novelists Adam Murphy and Will Morris. Story editor: crime writer and graphic novelist, Denise Mina.
Fiction certainly does not have to adhere to any rules of fact but our identification with it usually implies some kind of connecting cord from the imagination. In the case of the new literary genre, known as “Cli-FI”, shortened from “Climate-Fiction”, authors are increasingly depicting the world as it might be towards the end of the century, or perhaps even a decade or two away. Needless to say, the depictions are seldom desirable, but are these storytellers reflecting an unnecessary internal pessimism, or are they derived from visible seeds of decay, visible now in our current existence?
Having spoken to many scientists about their findings on climate change I am intrigued by the often appended line to the dialogue that goes something like, “…but I am an optimist and I am confident humanity will make the necessary changes before it is too late.” Of course, the trouble is, instead of slowly turning the carbon effluent monster of human civilisation around towards a sustainable future, the rate of consumption, and thus pollution, is actually going up.
Corporations have taken over our democracies, assuming the status of living entities (extremely wealthy entities), and proceeded in buying up vast quantities of the natural world, before converting it into carbon pollution and wasteland. Conflict among humans and the number of failed states is rising. The amount of food being produced is required to go up to feed our burgeoning populations but it can only go down due to pressure from climate change and poor use of land. Corporations are manipulating seeds, patenting them and desecrating the future potential for organic agriculture. Water is running to all time lows as fossil acquirers that supply much of China, India and other regions are drying up. Huge food baskets like California is collapsing to drought. The Ukraine is being destroyed by war. The list goes on and with it the hopes for a stable, secure and plentiful future diminish.
It is hard to comprehend the reality of all this when one lives in a wealthy western culture like the UK (where I am), and the supermarket shelves are stacked with plentiful supplies of everything and anything. Stalls on the street are bursting with colourful fruit and veg, whilst restaurants and coffee shops are everywhere. The UK imports around 40% of its produce, a figure likely to rise as the government offers up more agricultural land to housing developments. The impacts on food prices from a range of impacts, largely all with a root cause of climate pressure, will be a steady rise with some shocks along the way. Conflict around the world will continue to rise and be exacerbated by these issues. We in the west may feel safe from harm now but the seeds of dystopia are most definitely being sown around us.
In this graphic Cli-Fi novel, titled IDP-2043 (IDP standing for Internally Displaced Person/’s), a number of distinguished writers and graphic artists have contributed to one flowing storyline. Perhaps the most recognisable name in the list is Irvine Welsh but this is very much a collaborative effort and each contributor makes a mark. The story extrapolates out all the trends of our current course, starting with massive sea level rise that leaves the UK about half its current size in area. The government is largely a corporate dictatorship ruling with fear and hardship, with dark plans to save it self.
The lead character in the story is a woman from the ghetto who’s growing celebrity and outspokenness is causing problems for her superiors. Even the hit men sent to execute her have some logic to their own psychotic disposition as they lament the burden of human population. The unfolding story is fast paced and makes for good entertainment. It would be great to see many more of these stories being published with strong links to the challenges that we can see in our own societies. For instance, the restriction of education and fairness, and the subjugation of democracy for corporate power, in order than money can continue to flow into the hands of those who least deserve it.
The narrative points to one conclusion, which humanity should try to grasp sooner rather than later. True value does not reside in the blind acquisition of inanimate objects. True value will always be in the balance of human life with nature, the ability to feed to satiety, to sup water when thirsty, to remain warm when outside it is cold (and vice versa), to be stimulated intellectually and to live our lives with respect for the social dynamics of our society, as much as for the individual private worlds which we inhabit.
Cli-Fi is a growing genre and this graphic novel is a worthy contribution, beautifully packaged with its own tapestry of talent to embroil oneself in. It is available to order online from Freight Books: http://www.freightbooks.co.uk/idp-2043.html
by Nick Breeze
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